chromomaniacs

i know, i know, a post is owed.

s and i are members are of the met, a true new york treasure, and i've been itching to see the superheroes: fashion and fantasy exhibit before it disappears. (it's still there through september 1, and they'll be open labor day. go! quickly!) we went saturday, and while the galleries were a little busy, it was a very worthwhile experience. they've divided the collection into categories, such as "the mutant body" or "the patriotic body," which made for unusual curatorial notes. they combined costumes (from movies like "iron man" and "the dark knight") with pieces by designers like john galliano, alexander mcqueen and john paul gaultier. some of the designs were really incredible (and some felt like their inclusion was more of a stretch), but it was really interesting seeing fashion in a new artistic context.

having seen ads everywhere in the city for jeff koons on the roof, we were excited to check that out as well, but unfortunately it wasn't as impressive as i expected. there were three pieces, of which i thought "balloon dog", the star of said ads, was least evocative. i really enjoyed "coloring book", a large, bright, graphic representation of a children's art project. it was really beautiful and unusual, and i liked it very much.

we stumbled upon j.m.w. turner: painter of light (habitually chic wrote a post with some wonderful images from the exhibit.) i'm not normally big on landscapes, so i didn't originally want to go in, but i am so glad we did. turner was a bit of a maverick landscape and history painter, who experimented with color and form, and was a devotee of the concept of The Sublime, which seemed to be characterized by menacing clouds and snowpiles. his colors were the most sublime part, i felt, in part because he was so willing to use saturated colors that (while possibly not found in nature) looked quite natural in his compositions. i am a huge watercolor fan as well, and his watercolors were especially beautiful and colorful and experimental. (some of his studies were just huge swaths of color with little details to ground them.) plus i really enjoyed the biographical notes. every explanatory panel would discuss his influences and work, and then mention the constant critical pans the work received. some of them were very funny (we particularly liked that he was accused of "chromomania"), and it was a nice change from the usual accolades most individual exhibits are filled with.

you've got a little more time to see j.m.w. turner (september 21) and jeff koons (october 26), and i recommend it all.