Sunday, March 30, 2008

new crush: gustave courbet

he's pretty good looking, right? the bohemian artist crush?

friday night i met s after work, the plan being to head up to the guggenheim to see the cai guo qiang show that i am desperate to see. but when we walked up to the museum, the line stretched out the door and down the block, and i just didn't want to peer past ten pairs of shoulders, even if i was paying what i wanted. being in the neighborhood and the proud owners of memberships (thanks again, mom) we decided to spend the evening in the met. they've got two really fantastic and different shows right now. we started with the gustave courbet show, a remarkable collection of paintings. we'd spoken briefly about courbet in my college survey courses (which tend to hit the "big points"), and we talked mainly about his social paintings, depicting the peasant classes in his hometown, never before the subject of serious paintings of great beauty (if included in art, they were idealized or background characters, which is what made realist scenes like the burial at ornans so shocking and spectacular.) so what i didn't know is how prolific courbet was, at realist scenes, portraits of friends and family, nudes, land and seascapes, images of the hunt, and my favorite, self-portraits. courbet was pretty handsome (hence the crush), but what i really loved about the portraits is that he liked to paint himself in character.

the desperate man has been incorporated into the show's logo, and stares you down as you enter. his eyes are mesmerizing (i promise the internet does this no justice), and while he looks crazed, he also radiates with purpose, a desperate man on a mission.

i also really liked the wounded man (i mean, he's an old-hollywood heartthrob, am i right?) this originally included a sleeping woman, and no wound, but when he broke up with then-girlfriend virginie, she got painted out of the picture and he shot himself with crimson paint. (ladies have never had an easy time in the art world.) aside from my new crush, it was a really interesting show, and i felt i developed a new appreciation for an artist i mainly knew from a throw-away joke in picasso at the lapin agile.

we followed courbet with the jasper johns: gray show, which was really beautiful and powerful in its simplicity. johns, a prolific artist fond of exploring the repetition of familiar images and motifs seen in new ways, is particularly interested in the color (or lack of?) gray, and this exhibit is full of paintings, assemblages and prints in the monotone. it's actually much more visually arresting than it might sounds, especially because johns is a master of so many different art-making techniques (i was particularly wowed by his prints on plastic--they have a really incredible translucency to them) and employs a variety of patterns and images. i think s was less impressed by johns (he really liked the courbets), but i was in modern art heaven.

post-museum, we headed down to e 6th street for some indian food. when i went to london a few years ago, we went to the east end for dinner one night (london's curry capital.) it was the only place where i have ever walked down the street as people tried, one after the other, to lure me into their restaurant. s had never experienced this before, so 6th st and its hawkers caught him a little off-guard. we got ambushed into one restaurant, and narrowly escaped with our lives when i realized it wasn't the one we wanted (seriously, they chased me shouting "miss! miss! this table!" as i ran for the door, politely refusing all the way) before finding some delicious food, chewed to the dulcet tones of a sitar player one table away.

saturday was our lazy day (s paid his taxes, i did crossword puzzles in the sunshine from the window) until we decided to go out with our roommates to union hall last night. have i written of my love for union hall? it's what i imagine a turn-of the century men's club to look like, with red velvet sofas and bookshelves to the ceiling, indoor bocce ball courts and painted portraits of shriners on the walls. we put ourselves on the list to play, but bocce is quite popular with park slope hip kids, and i was content just to watch. there was burlesque in the basement last night, but we stayed upstairs to talk and drink and talk some more. union hall feels cozy, like you're hanging out at the apartment of your coolest uncle. we went out early, and got home in time for me to go to bed and wake up ready to head to work this morning. it's about as perfect as a saturday gets, i think.

Friday, March 28, 2008

today

today i helped my boss write a witty birthday card for philip roth. seriously, philip roth. they had lunch a few weeks ago because he wrote about her boyfriend in a part of the human stain, and she bought him a card and then couldn't figure out what to say.

dear philip,
if you are reading this, i made that funny monica-lewinsky-purse-company joke. it was me. let's be friends.
love, m

Wednesday, March 26, 2008

i want to study at the graffiti research lab

i think this is amazing:


G.R.L. @ M.o.M.A. from fi5e on Vimeo.

anyone want to go to the armory show with me this weekend? if i used my aging student id, it'll only be $10.

Saturday, March 22, 2008

best weekend ever

some weekends, i think, are really fun and relaxing and you see people you like and have fun. some weekends are productive--you get some chores done and feel good. THIS weekend, however, was a fabulous combination of the two.

thursday: s and i went out to dinner at the delicious miracle grill, this cute little southwestern place in park slope. i like anything with tequila, but the limon fresco was particularly good. we had one of those big relationship talks over dinner, too, and i was further reminded of why he is so important to me, why this relationship is the best i've ever had (and ever will have.) i took him out for amaretto sours at 12th street bar and grill, which i like better in the daytime. (it's quieter, with fewer dudes watching basketball on tv.) but it's a nice spot, and it feels like a neighborhood place, which i like a lot. we ambled home to push a few epis of house m.d. and fell asleep.

friday: i had an appointment to get my taxes done, which i know sounds all fancy, but i had five jobs in three different states last year, and i am not so good with the math and the numbers, so i walked down to colacino partners and handed over my w2s. s had to bring me my checkbook, so in thanks i took him out to brunch at dizzy's, which is one of my favorite neighborhood spots, and usually packed full of local families. we ate and chatted and squeezed out to head home so that s could go to work. i did laundry (the machine is finally fixed) and then headed into manhattan to the park avenue armory (which is such a cool building) to meet up with a friend from work, bhr. he's also a former art history major, so we had a great time discussing the pieces in the whitney biennial. (unless you read this and go sunday, you've missed the chance to see some very cool stuff, at least at this satellite space.) i particularly liked the piece by mk guth, ties of protection and safekeeping (2007-08), an interactive installation, where the artist had people write on red flannel in response to the question "what is worth protecting?" (which of course provides a multitude of responses, some faux-profound like "children" and some silly like "catties are god's favorite creatures," which really made me laugh.) the flannel flags were then braided into long ropes with artificial hair and strung around a room, so that the pieces brushed your shoulders as you walked through. it looked like a strange set-piece, and i liked the feeling of standing in a room strung with wished-for protection. also worth my free admission was dj olive (gregor asch)'s triage (2008), a tented room with cots that we laid down on in order to listen to the soundscape. it was a totally different way to experience an installation, and i loved listening to the piece. (also, this middle-aged asian tourist was totally freaked out by a woman who had fallen asleep experiencing the piece. she didn't believe us when we told her the woman was real and just asleep, and got really close to her, just to check, and then jumped back in fright and ran away when the sleeper turned her head. then the woman took pictures. it was hilarious.) last night was the co-worker park slope happy hour no. 2, as organized by myself and ls, another work friend. bhr and i took the train to bar tano, a totally cute bar on a not so totally cute corner. my owf, her boyfriend (whom i had not yet met, but really liked), my neighbor, his roommate and ls were all there, and we had a nice evening talking work and non-work. (i also had the most delicious drink ever, the tano, which is muddled orange, whiskey, triple sec and some other things. to-die-for, i thought. i know this now sounds like the weekend of acohol, but it wasn't really.) after a while, and being joined by another co-worker, we decided to get mexican food and hang out at our apartment. the six of us converged on boyland and ate, drank and played wii for a few hours. i really really like the group i've met at work. the young contingent, at least. everyone is a lot of fun, creative and smart and looking to find new ways to hang out. (next up: basketball on the roof playground.)

saturday: s and i spent our morning in ritual, eating bagels, drinking coffee and watching tv. (i love our saturday morning tradition. i look forward to it every week.) i mentioned i wanted to clean up the kitchen before we did anything else, and my off-handed comment turned into an intense afternoon of spring cleaning. i scrubbed the kitchen and did four more loads of laundry, s cleaned and organized the bedroom, and together we tackled the living room. (the bathroom is its own beast, to be done sometime this week.) it feels like a new apartment (almost), and i took great delight in opening the windows and letting in some fresh air. now i am blogging and he is talking to his parents, and soon we will settle down for the night.

i love getting to do new york things, like experiencing some art or getting a drink with co-workers. but i also like doing things that remind me that this is where i live, and this weekend made me feel really at home.

Tuesday, March 18, 2008

really magical new york

new york from above looks like jewels, if you had strands upon strands of tiny twinkly gems of every color that you could toss in the air and let land as they wished, criss-crossing or spreading out and always, always shining.

new york from above looks like ropes of christmas lights hung by a well-meaning grandfather (sometimes in a pattern and sometimes what can gently be described as abstract) and viewed through squinted eyes, or maybe eyes bright with tears from the beauty of it all.

new york from above looks too precious to be real, like the night sky in cartoons, all bright pin-pointed promise.

new york from above looks like the grains of sand still trapped in the cuff of my warm vacation denim, golden grains cascading across dark indigo, reminding me from whence i return.

i have all sorts of things to say about my beyond-lovely vacation, but as we flew in tonight, and i was thinking about the hassle of finding a cab and getting home and going back to work tomorrow and needing to do laundry (and on and on and on), i looked out the window and was taken aback by the beauty of this city from the air. it looked perfect and bright and i was reminded again of why i am drawn to this burning-alive city. oh, new york. you get me every time.

Saturday, March 15, 2008

goin' to carolina

dearest new york,

you did this on purpose, didn't you? the day i am all set to jet off to charleston, thinking "see ya, eskimo city", you get warm and beautiful, all blue skys and light breezes. feels like fifty-two degrees? where were you last week? and i bet you made sure s didn't have to work today, so that we could go run errands in the sunshine and coo at puppies in t-shirts and little babies in cowboy boots. it certainly was no accident that they made my bagel perfectly and that we had one last episode of project runway to watch (yes, i know, behind the times) so that i spent my saturday in perfection. i get it, new york. you're nervous, afraid i'm going to south carolina and will come back changed, in love, maybe a little more tan. (well, i can hope, right?)

but don't worry, my darling. you will always be my first love, my last love, (and dare i be too carrie bradshaw), one of my greatest loves. so let's make next week special; i haven't gone out in far too long. we'll go on a date on thursday, take in the sights and sounds of this bright-lights big city. i'll miss you, but i know this absence will make my heart grow fonder.

goodbye for now (only a few days!),
m

Tuesday, March 11, 2008

sorry, blog

i've been gone so long, and i'm sorry blog. i never meant to desert you. i've just been busy doing things that are not particularly of interest (not even to me) and thus have not had the time to do things worth writing about. s said to me tonight (from his break at work) "are you going to blog tonight?" and i thought "about what?" and since i want to write about something, and i am sad my blog now languishes for days, i share this:

i once made jon stewart laugh. it was one of my proudest moments, and it still makes me smile to think about it. s and i saw demetri martin a few weeks ago in union square and he and i had some prolonged eye contact on the street corner. last time we were at brooklyn superhero supply, we walked past john hodgeman and john oliver walking in to play scrabble for liars (as i exclaimed "amazing! AH-mazing!" and not about them, as i am afeared they thought, as they gave me an odd look.) so i just know that someday, when i walk into my first day of work, they're all going to be like "hey, don't i know you?" yes, boys. yes you do.